Saturday, 18 July 2020

A PEEK INTO THE AGE OF DIP-PENS



This is a  trip into the  bygone world of Dip -Pens and other antique stationery,  seen through heirlooms treasured by our family .



When we see old letters or signature of ancestors in books they owned , we cannot help admiring the beautiful handwriting, uniformly curving, looping, linking and ending with flouishes .  Works of Art .
Rigorous training in writing produced  perfection no doubt , but a  measure of the success was also due to the writing instruments they used . They used Dip-Pens , ie. metal nibs attached to long holders , which required frequent dipping into the ink bottle .



 Metal nibs are said to have originated  in ancient Egypt  where they were made of copper and bronze. Similar Nibs were known to Classical Romans too . But the inscribed marks made with those nibs were of , reportedly,  inferior quality compared  to that of finely sharpened reed pens. So the idea did not quite take off in those times .

Metallic nibs were also made during 17th and 18th-century , but only as  Fancy, handcrafted luxury  goods, rarely used . Quills pens,  made of goose and crow feathers , were favoured for practicality and general use .

It was only in 1820 that factory-manufactured steel nibs took off in a big way , when Joseph Gillot put up a factory to manufacture thin , well tempered , stainless steel nibs .
This book , published during the Age of Dip Pens,  also in the Family library ,  explains the process of making the nibs. 

The word “Pen”, at that time , denoted what we call “Nibs” now.

Metal  nibs retain  a sharp point  longer than the quill which needed  frequent sharpening ( by the way, this was a special skill, using special blades and rich men had a servant solely for sharpening quills !) Nibs of different kinds could also be attached or removed from a single holder as needed , whereas many different quills were needed for different effects. So , definitely the metal nib was a great leap of modernity in writing instruments and since Industrialisation had set in, the world was ready for this convenience .

Birmingham , in England, which was the power center of Industrial Revolution with many landmarks to its credit, was the cradle of the pen ( nib) industry too , with nearly 100 pen factories by 1850 , providing employment to thousands , including women . More than 50% of the world output of Nibs came from Birmingham . Other major manufacturing centers were Germany, Austria , Czechoslovakia and Spain .  By the early 20th Cent , however , pen factories had dwindled drastically and in 1920 , many companies in England came under the umbrella name of “British Pens Ltd.”
Since India was the biggest Imperial Colony , it was naturally flooded with these writing instruments from Europe.

Cultivating a beautiful handwriting was considered a mark of a cultured and educated person. Writing was an Art. Pens needed to be diverse , with points of various thickness and shapes in order to achieve those calligraphic differences between personal letters, business letters, courtly letters, mere jottings , signatures etc. Hence, a wide variety of Pens were manufactured .

It was the advent of  ballpoint pens that killed off the Nibs industry . Today only specialised nibs are manufactured for fountain pens and artistic calligraphy purposes.

Dip Pens are now antiques and quite a few are retained in  the Family's collection of  Heirlooms .
Each item is inscribed with some mark of identity and tells a story from a particular phase of the History of the Modern world .

  

Richard Esterbrook  (1812 - 1895  ) was born in a Quaker Family in Liskeard County, Cornwall, England.
He  was in the stationery trade  during the time when steel pen nibs were taking over from old fashioned feather quills . Some people like Gillot and Mitchell had started manufacturing dip pen nibs in England .
While looking to widen his business prospects,  Esterbrook had realized that there were no steel pen manufacturers in the United States at that  time and the opportunity was irresistible .

With  five craftsmen , Esterbrook  came to the United States in 1856 and in 1858, after initial struggles , he  establishesd his company Esterbrook Steel Pen Manufacturing Company, with a factory  in Camden, New Jersey and later shifted to New York . In 1896 , a manufacturing unit was started in Birmingham , England too. ( Esterbrook nibs were sold with the name of place of origin, England or USA, stamped on them  .)


 The top pf the box carries the Founder's portrait and year of establishment .The bottom is printed with  signature of Esterbrook to show authenticity . On the side is the wholesale dealer's name. 

In its time , Esterbrook’s pen Company was one of the largest pen manufacturers in the world.
The nibs were made of Sheffield Steel and Brass , with gold plating where required by the design .
At the height of its popularity in 1920s , the company was producing  600 ,000 pen nibs a day , exported all over the world ( colonies)
In 1930s , the company started making fountain pens as the world had moved on and dip -pens were obsolete .
In 1972  , the Company ceased its operations and was takenover / absorbed into another stationery manufacturing company .

Esterbrook Co. was a respected Brand Name and its fountain pens were  used by Presidents John F. Kennedy and Lyndon B. Johnson to sign legislations.
The famous Disney artist Carl Barks was a devoted user of Esterbrook pens. His famous Donald Duck comic-books were drawn and inked with these pens .

The “314 Relief”model ( found on this box) , first produced in 1883, was in production for a long time and widely advertised as 
"Relief - Flexible, medium stub. For social correspondence and manuscript writing. Brass finish. Gold plated. As the name implies, it is a relief to write with this pen. Action smooth like old fashioned quill. Not made of steel. Not affected by ink.”

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Perry and Co Ltd was the largest dip pen manufacturer of the time in England .
James Perry , a school master , was very disappointed with the kind of pens he was getting in the market and decided to make his own . He made nibs , by hand , according to his needs and finding them much better than existing ones, he decided to get into large scale production . That was in 1824 .
By the 1880s , Perry was a name to reckon with . 
The company changed hands a few times and also ventured into making other products , notably bicycle chains and accesories .
It became defunct in 1961.

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George W Hughes( GW Hughes ) was a metallurgist who set up nib manufacturing in Birmingham in 1840 . The Company lasted till 1960.  Hughes nibs were considered high quality , fine pointed , for closely written texts. 
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Hinks, Wells and Co ,started around 1836 by John Hinks and George Wells , was  one of the larger manufacturers of dip pens in England . They were one of the first in Industrial England to adopt 9 Hour Work schedule . John Hinks is also known to have paid for his entire workforce to go on a sightseeing trip to London !
The company was famous for it's 'J' pen, which was  finished in blue or black, with the 'J' embossed.
They later diversified into fountain pens, typewriters, pen clips and stationary items.
Hinks Wells Co was known for its Lettering and Artist pens .
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Leonardt Ltd. (formerly D. Leonardt & Co.)  was founded in 1856 by Diedrich Leonardt to manufacture dip pens. They had a large export market in South America and Eastern Europe, and produced pens for the King of Italy. The Co . Patented the  ‘Ballpointed ’ ( the nib with rounded tip ) and also a design named "Automatic Wonder Pen"- an early variety  of fountain pen in 1871.
Though almost all nib manufacturers closed down when the Birmingham boom burst,  , Leonardt & Co survived and  have remained in the industry although the company stopped producing nibs. They now make of metal components for stationery goods.

This heirloom “ Ballpointed” nib is made of nickle , according to their brochure.
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 William Mitchell  started making pen nibs with his brother John Mitchell in the early 1820s and  established his own business in 1825 . The Company became  one of the leading nib manufacturers , famous for lettering pens.
100 years later,  the Company merged with Hinks, Wells & Co , Perry’s and other nib manufacturers to form “British Pens “.
The William Mitchell brand is still around making  art Calligraphy products .

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MODELS 
Apparently, pen manufacturers vied with one another to innovate and bring out different Models of nibs regularly. 
The names on some of the models found in our family's collection are :
"Relief"  "Red Ink" and "New Metal" 
"Silver Wing , "Ballpointed" and "Pansy"
"Celtic" , "No.88M" and "Selected"
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Other  items making up the antique  stationery  collection  are : 
PEN STAND 

Wrought Iron Pen  : Artistically made pen stands added a lot of beauty, 'atmosphere' and inspiration to a writing desk. There are a variety of Stands in the collection. This wrought iron sample holds eight pens. 
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PAPERCLIP 

Macniven and Cameron Ltd. ( later : Waverley Cameron Ltd.) was a printing and stationery company  in Edinburgh, Scotland. The company was best known for its pen nibs, named “Waverley" nib which was unusual for having an upturned point, which made  the ink flow more smoothly on the paper. The "Waverley" was named in honour of  the Waverley novels written by  Sir Walter Scott .
The Company , which in its later years  manufactured  Paper Clips,   called “Waverly Clips" , closed down in 1964 .

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PENCILS

 Faber-Castell is one of the world's largest and oldest manufacturers of pens, pencils, other office stationery and Art supplies , luxury writing instruments and leather goods. It is Headquartered in Stein, Germany .
A.W. Faber, the original name of the company, is the oldest company brand in the USA.
The immensely wealthy Noble family were made Barons of Faber in the Kingdom of Bavaria in 1881. ( now, a State in Germany)
 Founded in 1761 , the Company , AW Faber Bleystiftwerke( = “Pencil
works”)  made pencils. The Founder’s granddaughter  married a Count of the Castell-Rudenhausen of N.Bavaria, in 1898. From them originates the new company name,  Faber-Castell. 
 This red and blue pencil carrying the “AW Faber” name is pre-1898.

There are also non branded lead pencils , "Made in Bavaria" .


This is a Copying pencil made by George  Rowney & Co. (Founded in 1783). The Company which was selling perfumes and wigs initially,  started dealing in  paints and Art materials in the 1800s . The Company later diversified into printing and publishing and is still in business .

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INKWELL 
                           


Inkwells can be great collectibles . The desk bound ones are in cutglass , porcelain and steel. 
"The Traveling Inkwell" : This Design seems to have been  in vogue in Victorian times . Glass bottle with  decorative brass top of tight fitting lid , encased in leather, colour coded ( black and red , according to the ink ) . Made in Austria .

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INKSTICKS



Ink sticks or Ink Cakes are a type of solid ink (India ink) used traditionally in several East Asian cultures for calligraphy and brush painting. Inksticks are made mainly of soot or lampblack , carbon from charred pinesticks and animal glue or resin . the inkstick was ground against an inkstone with a small quantity of water to produce  liquid ink .

India ink was first invented in China, three millenia ago . But it was the English who gave it the name  Indian ink .
Indian ink, was also called Chinese Ink ! The sticks or cakes consist of specially prepared lampblack, or carbon black, mixed with a gum or resin .
For commercial use , a binding agent was also added to liquid Indian Ink , making it waterproof and permanent .
During Victorian times, regular liquid inks were also made from iron rust, tree gall etc.

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 SEALING WAX 

Sealing wax is a sealing material used on paper and parchment envelopes  , string or wire knots on parcels  which is difficult to separate without breaking . So it assures the receiver that the consignment was not tampered with before delivery. The sender's identity is usually stamped on it .

Sealing wax was made of primarily , Shellac ( or Laquer , araku ) , certain resins, chalk and colouring matter ( red lead  for Red ) . Other mineral colours were also used for green , blue etc . Shellac is a resin secreted by the Lac Bug , a native insect of India and Thailand.
Sealing wax was generally sold  in the form of sticks. The  stick was held to a flame and when its end started melting and dripping , applied to the closed flap of the envelope and stamped . It hardened very quickly .
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Postal Essentials



 People, back then, wrote long letters, some running into sheaves ! The household needed to be well stocked in envelopes and postage stamps .
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LETTER OPENERS 


Letters were not torn open in random fashion. It was a genteeel process, using letter openers !
Letter openers came in a wide variety of materials and embellishments.
Featured here is a Brass Letter-Opener with mosaic work  handle .
Mosaic is the art of creating a coherent design using small bits of colored stone, glass or glazed ceramics . The small bits are called tesserae . They can be irregular in shape or cut according to need and fixed into the base shape ( seen here in the reverse)  with plaster or glue .
Only the word “ Souvenir” is inscribed on this , so country of origin not known .

All stationery went into a chest of drawers or a roll top writing table . But there were times one  also needed to carry pens and stamps and clips to set up a writing space anywhere !








Tuesday, 14 July 2020

TILE TALE

Living in a 125 year old property , home to five generations of the family, can get surreal at times .
Because every scrap , stick and stone is older than you and has a long story to share .

Recently , my brother , with plans to redesign the garden , removed the terracotta tiles a pathway was
cobbled with . Since they were perfectly good tiles he washed and put them in storage for later use .
That is when he noticed the words on the reverse : “Basel Mission Tile Works Ferok " .

None of the words rang any bells . But he smelt History!

Our ancestral home , in Mysore,  was a vintage bungalow with many wings, subsidiary units and a huge garden with a tennis court . The architecture was typical of the times : open verandahs , tall pillars, high ceilinged rooms , monkeytopped dravidian roof and flooring of reddish brown terracotta tiles .
Dating from the first decade of the 20th Century , it has undergone periodic structural changes to suit the needs of the times.

The mainhouse was remodeled in late 1960s .
The Urban Ceiling Act of 1976 trimmed the original area , dematerialising the outhouse , a storage shed ,the cow barn and half the sprawling garden .
35 years ago, the last remaining annexe was pulled down, making way for an independent unit.
Through all these changes , many things have lingered on , saved or repurposed .
This lastmentioned annexe , by virtue of having been built a few years later than the main house , was
called “Puthu Veedu”and “Hosmaney” ( = New House )right upto its end .
Its doors, windows and dressed stones were all re-used in the new unit built in its place.
The terracotta floor tiles that could be salvaged in good condition were used for paving the garden
paths . There they blended gracefully with the soil , aging well , but staying fit .
These were the tiles that Brother pulled out while remodeling the garden .


The tiles gave us a name - “Basel Mission” - and compelled us to seek their hidden story .
Willingly , we dived into the great pools of information scattered in The Cloud to fish for snippets that could be sewn together as a backdrop for The Tile , a sample that now rests among the Family Memorabilia, while others will be re-used .

Here is that patchwork quilt of history that emerged from our quest .

BASEL MISSION

The Basel Evangelical Missionary Society, headquartered in Basel , Switzerland, was formed in 1815 by a group of German and Swiss religious men , as thanksgiving for Basel City being saved from Napoleon’s raid . “Basel Mission” for short , the Seminary trained Dutch and British missionaries to be sent to far flung places like Russia, Gold Coast , China , Cameroon, Borneo, Nigeria ,Latin America and Sudan on evangelical duty .
India could not be left out , of course .
The Mission sent its first three missionaries to India in 1834. They landed in Mangalore where they
learnt Kannada and Tulu and established a Kannada school (1836. ) Soon , with more missionaries , the Mission on the Kanara Coast expanded steadily.

Though the aim was evangelism , Basel Mission focused also on creating employment opportunities for local people in areas like printing, carpentry , brick making , weaving , horticulture etc . In order to train them in the necessary skills , the Mission inducted professionals from Europe regularly. Many
workshops and cottage industries were thus set up in and around Mangalore .

People who were part of this early phase of Basel Mission here have left lasting legacies , three of which merit mention .

Hermann Friedrich Mögling ,in charge of Basel Mission’s Printing Press ( estd. 1841) earned a Doctorate in Kannada , wrote and translated Kannada works and published the first ever Kannada newspaper Mangalooru Samachara in 1843. He is acknowledged as a pioneer in the world of Modern Kannada  Literature.
The Mission Press also printed the English-Kannada dictionary of Rev Ferdinand Kittel, along with
Malayalam and Tulu dictionaries and grammar books.

The colour KHAKI , which was adopted by the British as the colour for the Services uniforms , was
developed first in Mangalore by the German weaver and dyer,  Johann Haller ,  working in the Basel Mission weaving division , which , among other things, was also the first to introduce mercerised yarn. Haller prepared a dye specially for hunting suits , to aid camouflage in the jungles , using the rind of cashewnut tree and the heart wood of arecanut palm ( both found in plenty in the coast ) as ingredients to extract a hue resembling “the brownish yellow dust of the Indian road “ .
The colour was named ‘Khaki’ , derived from the Persian word ‘Khaak’ meaning “ ash / dust”.


An engineer named GEORG PLEBST ( aka Plebot) who was brought in by The Mission , to fine tune the type-faces for Kannada and Malayalam printing , looked beyond his brief and made a product that earned everlasting fame for the city where it was first made : MANGALORE TILES .

A mechanical engineer by profession , Plebst had also learnt pottery and glazing as a hobby . Clay
interested him. He found that the soil by the River Netravati was of excellent quality , naturally clayey ,high in mineral content and enriched by the alluvium that got washed down from the ghats . Clay was also found in abundance in the paddy fields . At the time of his arrival , a few Europeans were already experimenting with  laterite clay to make roofing tiles as they had found  the locally used concave tiles ('country roof tiles')  deficient in design.
Plebst decided to put his training to good use . He brought a set of moulds and screw press from
Germany , got the Netravati soil tested in Switzerland and Germany , developed drying frames and set up a workshop at Jeppu ( a locality in Mangalore) , making 500 tiles a day with the help of two natives . His pugmill ( mixer used for grinding and kneading clay into an elastic state) was turned by a pair of bullocks .

Tiles made by Plebst proved to be so good that a full fledged factory was started by The Mission in
Jeppu ,in 1865, with steam powered pugmills.
Basel Mission Tile Factory was the first Tile manufacturing factory to be set up in India . Hence the name Mangalore Tiles stuck and later, no matter where they were manufactured, that model of tile continued to  be called Mangalore Tiles. Its in colloquial usage even to this day.

The Tile business was a highly successful venture of the Mission.
Mangalore Tiles were nonporous , less prone to breakage , light-weight , interlocked and were the
wonder roofing of the day . They were enthusiastically marketed through British Trade channels and
became extremely popular .

The factory  very soon added other building essentials of clay to its list of products , like floor tiles , pipes ,ventilators, ridge tiles, decorative pots etc and the supportive English officers started recommending that only the products of The Basel Mission Tile Factory be used in all government buildings !
With Printing and Weaving also doing well, Basel Mission soon became the single largest industrial
entrepreneur in the region .

FEROK

The name Ferok is the shortened form of “Farooqabad” ( Town of Victory). It was the name given by The Mysore Sultanate for the new coastal Capital it set up in a small town near Kozhikode , when it occupied Malabar ( 1766- 1792) .
With Basel Mission  spreading out from South Kanara to North Kerala , it wasn’t long before a Tile Factory was started there too . The place chosen was Ferok . As in Jeppu , here too the soil was found perfect for making high quality clay products.
Ferok was always known for its timber , but after the first Tile factory was set up in early 1900s , it
became the byword for Tiles in Kerala . Till today , Ferok dominates the Tiles and ceramic wear industry in Kerala with dozens of factories . The Mission had added four more tile factories in other sites in Malabar to meet demand , but those  did not proliferate , down the years, in similar fashion .

“Basel Mission Tiles” made in Ferok were not only sold all over India , but also exported to Burma ,
Ceylon, Uganda , Aden, Basra , The Straits Settlements and Australia .

The Brand name of Basel Mission flew high till the second decade of the twentieth century. During
World War 1 , relations between The British, who had been major supporters , and Basel Mission ,
which was predominantly German , soured . It culminated in the British Government taking over all the ndustries operated by The Mission in 1919. Everything , including the Tile Industry , passed to The Commonwealth Trust Ltd, incorporated specifically for such takeover .
The factory at Ferok , as elsewhere , acquired the new name of Comtrust  (- a name that continues to the present-) and tiles were , from then onwards, stamped only with that name .

The label “Basel Mission Tile Works Ferok ” became History.



Illustrations
All photographs : Own
Portrait of Mogling , the Newspaper , pugmill : from public domain .
Drawings of Plebst , the Factory , collage of servicemen : Own

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